it’s 3am. the club is still open. you’re bathed in sweat, mid-set. it’s not time to go home. not just yet. now imagine the new release from germany’s oliver deutschmann kicking in on the sound system. this is the new release on swiss imprint, caduceus records. they’re back with yet another undiluted dancefloor bomb from the man himself - a release guaranteed to take you to that place and guide you further down the rabbit hole.

zweiter tribute-sampler für den legendären, britischen soul-club blackpool mecca. mit 12 legendären northern soul-perlen und raritäten aus den playlisten von ian levine und colin curtis aus den letzten 45 jahren. mit bobby womack, lou courtney, the charisma band, diane jenkins und the boogie man orchestra.

pressing on 180 gram super fidelity vinyl, housed in a gatefold sleeve with free download of wav-files in cd master quality included.

tokyo’s yoshinori hayashi makes his debut on lovers rock with “asylum,” an ep of deliciously bent avant-house and free jazz-esque voyages. hayashi has been making a name for himself as a formidable studio talent, and on “asylum” he offers some of his finest work to date. “agent dissolving device” welds louche narration, kaleidoscopic atmospheres and an energized girl-group hook to an earworm groove. an invaluable tool for adventurous djs, “so wrong it’s right” doesn’t begin to describe it. meanwhile, the b-side is given over to hayashi’s more sombre, quasi-chamber music leanings. “burrow” and “the old man” both use wheezing, wandering piano figures to articulate a mournful, bleary-eyed beauty that seems to flicker in the shadows of the a-side’s extroversion.

wolfgang voigt is a man of many means and monickers, having engendered a unique take on electronic expressionism across multiple media - from riotous early 90s acid to cyber-folkloristic techno or the abstract drama of his current rückckverzauberung project, a pioneering vision to be found on vinyl, canvas or flickering screens. ranking among of the most dense, hypnotic, atmospheric recordings in his oeuvre, the gas releases have since become internationally recognized classics with a cult following, hailed as a wondrous high point in the history of electronic music (pitchfork) and some of the most influential albums of the 90s (the guardian).

2nd ep soul of dsc, ltd & vinyl only

ltd 2016 re:issue
an undercover dj drops the pace for this release, starting his new series of limited edition, no info and no nonsense 12 inches. channelling the queen of neo soul and hardest working man in show business through a dub heavy detroit beatdown filter into wild deep house. for fans of the revenge, mark e and motor city drum ensemble these raw, soul drenched house grooves will appeal to the djs who like to work a floor into a frenzy.

a-f-r-o is a breakthrough artist born and raised in los angeles, ca, who was first discovered by legendary rapper, r.a.the rugged man. marco polo is a brooklyn based producer, raised in toronto, canada, who has produced music for artists such as talib kweli, pharoahe monch, boot camp clik, royce da 5’9 & more.
the vinyl lp comes with download code included.

mit elf ausgezeichneten coverversionen von bob marley songs. hier finden sich u.a. slave driver (vom album catch a fire) in der version von bob marleys lieblingssänger dennis brown, im still waiting (im original als studio one 7-single) in der definitiven version von delroy wilson, heathen (vom album exodus) in einer superben version von cocoa tea, produziert von bobby dixon, forever loving jah (vom album uprising) in der hitversion von marcia griffiths & tony rebel, produziert von donovan germain,waiting in vain (vom album exodus) in der jamaikanischen version von leroy smart, produziert von joseph hookim für channel one,crazy baldhead (vom album rastaman vibration) in der version von luciano & beenie man mit einem sensationell tiefer gelegten bass von sly & robbie.

12 inch white label repress

a killer 10 inch back in stock !!
closing off the trilogy of 10 years of perc trax vinyl eps is the labels first ever 10 inch release. drawing together two of the deeper and more experimental tracks from * slowly exploding*, the ep pairs label founder perc with one of his longest influences, zhark recordings main man kareem. first up kareem brings a touch of deeper berlin-tinged techno to perc trax, built upon a rock solid kick and drenched in moody urban atmospherics, then perc closes the this vinyl series with a spiralling analogue noise exercise that builds and builds until live drums tear through the wall of bass tones...

“here come the horns” is the second studio album by the hip hop group delinquent habits. formed in east los angeles in 1991, the group are known for their latin-tinged rap, which is both melodic and hardcore. their first self-titled album movlp1338 was executive produced by cypress hill member sen dog and featured guest appearances by sen himself as well as puerto rican new york city rapper hurricane g.
their second album, “here come the horns”, again featured sen dog as well as sen’s brother, pioneering latin rapper mellow man ace. the album was also produced by sen dog and paul stewart. music videos were made for “this is la” and “here come the horns”.
pressing on audiophile 180 gram double vinyl.

ultimate crew presents 4 tracks of decimating future rave: peak moments of crystallized energy reduced to the most simple and effective dance-floor weapons known to man. entire nights distilled into mere minutes- providing you, the dj, with the deepest cuts for the deadliest win. side a: elastic / tak: acid dripping off the cuff. hip-house illumination via a saw wave cutting through the skull. watch your mind! side b: future / method: only time will tell. remember the future and wait for the break: it will break you.

this is the first project of a series of vinyl, which aim is to explore the deep link between man and analogic machines. every track is sampled by analogic hardware machines in order to keep the unique, distorted, boiling sound like only these instruments are able to do. this four-track release is the result of a dogged industrial groove fixed by the deepest techno side of the drum. it mesmerizes with the electric pulse of its eclectic riffs and the power of its raving sound.

special triple pack for all you dekadent lovers out there - contains three classic releases:
- dkdnt015: deo & z-man - no ep
- dkdnt018: dapayk solo - the viteng clan ep
- dkdnt019: deo & z-man - still no ep

one of the most charismatic pioneers of uk dance music, skream, is back on the visionary label that is crosstown rebels. the momentous ‘you know, right?’ has been avidly searched for since it’s inception and will finally be released in november 2016. this two track ep contains two innovative productions from the musical chameleon, pushing the boundaries of genre once again with breakbeat percussion, potent keys and a garage style vocal on the monstrous ‘you know, right’. the ep also features the techno soundscape ‘minor smooth’ on the b-side, which also is going down a storm . we last saw skream on crosstown rebels last year with the epic ‘still lemonade’, which gained high critical acclaim. keeping the standards high the truly individual ‘you know, right?’ has already been heavily supported this summer by jackmaster, jamie jones, annie mac, steve lawler and damian lazarus amongst others. starting out as one of dubstep’s first most prominent and prolific producers, skream went on to achieve commercial success and critical acclaim with magnetic man alongside artwork and benga reaching no.5 in the uk album chart and reaching no.10 in the uk singles chart. more recently he has been releasing on his label of unsound mind and as a sought after remixer on labels such as boysnoize records, hot creations and watergate records.

mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs : part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum -album des jahres- gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. -love songs: part two- zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.

mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs : part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum -album des jahres- gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. -love songs: part two- zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.

the holy grail of brazilian music. a wicked afro psychedelic album. a joy to listen to from the beginning to the end! highly recommended! tip! pedro dos santos, born in rio in 1919, was a percussionist virtuoso, composer and inventor of instruments that apparently included oddities such as the tamba (electrified bamboo drum) and the mouth berimbau whistle. nicknamed perdo sorongo after the rhythm he invented, that features throughout krishnanda. a highly spiritual man who was regarded as a philosopher by many.

mono junk’s cult label dum records is back with a new five track various artists ep that again packs a vital punch. he appears himself along with some fellow legends of the scene. first up, morpholgy is a consistent performer who has continued to serve up quality electro since 2009 and here serves up a hot new piece. ‘vector plant’ is busy and industrial, slick and metallic as it unfolds and burrows deep into your veins. then comes the a2, irwin berg featuring freestyle man (aka finnish moodmusic boss sasse aka klas lindblad) with a track made in 1995 and never released before. this pair worked together and made a cult electro record for sähkö recordigs in 1998 and this one is just as impactful. it is frosty and frazzled, slow motion but high impact and full of distorted lines and heavy drums. next is mr velcro fastener who were the first kings of electro to come out of finland and between 1999 and 2006 were famous all over the world. their brand new cut ‘almost there’ is a deep one that is riddled with bleeping melodies and has smeared chords bringing a sci-fi feel. then it is mono junk’s turn to dive into the vaults with an unreleased track from 2005. ‘feeling or destroy’ is a physical number with crashing hits and snaking, gurgling bass that is dark and dystopian. last of all comes irwin berg with mono junk as new york city survivors. says the dum boss, “our unreleased track here was made after the new york city survivors – static light cd 2002” and it is a turbo charged track with screwed up grinding bass, icy hi hat rhythms and menace in its grooves.

limited edition of 300 numbered copies on white vinyl with download code included.
veil of light is the synth/postpunk solo project of a mystery man from zurich known to the wider world only as m. the project was born in 2012 when all the tracks for the veil of light eponymous 2013 ep released on belaten were recorded by m in a bunker near zurich. that last fact incidentally is a good way to describe the music released under this project’s name much like the mental image of a bunker it is cold dark and forces one into a contemplative resigned state. the influences that immediately come to mind listening to veil of light are 1980’s wave music post punk industrial and dark ambient all weaved together by an overarching depressive yet dreamy atmosphere. it has been called gothgaze and the description seems apt. the followup to the opener the 7” cold skin single released on edition gris and the debut lp simply titled as well as this years head/blood/chest ep continue in the same vein.

dvas neues album »notu_uronlineu« stellt einen erheblichen wandel für seine musik dar. er benutzt hier den künstlernamen hi: emotions, den er in der vergangenheit für einige remixe verwendete. das album weicht stark von dem ab, was man vielleicht von ihm kennt, sowohl in seiner dunkelheit, als auch seinen abstrakten ambitionen, aber die qualität und komplexität seiner musik sind dafür gemacht, neue fans zu gewinnen. die vinyl-lp erscheint inklusive downloadcode.

the 12” dance series is dedicated to showcasing the finest rare original 12” remixes and extended versions of crowd-pleasing, floor-filling classics. from the disco, soul, rare groove and funk mixes of the 70’s, to the groove, hip hop/electro & techno/house of the 80’s and the acid jazz, indie, r&b, rap & club/house of the 90’s, 12” dance will deliver a lovingly curated selection of both the commercial big hitters and the underground cult club classics! this 2lp collection presents the finest in soul, funk, disco and jazz-funk mixes of the era, from feel-good old school classics to dance-floor anthems to underground club classics featuring artists such as gwen mccrae, rufus & chaka khan, jocelyn brown, sister sledge and many more.
the 180g double vinyl comes in a gatefold sleeve with download code included.

beautifully put together and deeply personal comp of pioneering belgium new wave / diy enigma, alain neffe (bene gesserit, psuedo code, subject etc). highly reccomended - includes folded inner with liner notes (biography).

the playground is pleased to present it’s 9th release titled “all the way live ep-. originally from australia, inkswel aka jules habib turns in a delightfully funky 4 track ep inviting some of his friends, henri le blanc, sven atterton & man made mountain to join. raw jams to make you move.

a new series of passport to paradise releases with new artwork from serbian artist marko vuleta-djukanov. this release comes from abel nagengast the man behind redlight records in amsterdam. a bunch of edits from the vaults from this digger extraordinaire. you know what to expect four killer tracks deep from the underground. dj support: young marco justin robertson dj kaos mo morris apeiento craig christon dave jarvis softrocks

mit ihrem neuen album »walls« zeigen sie, wie man sich musikalisch weiterentwickeln und sich dabei dennoch treu bleiben kann.

finally this great techno label is going black gold. the imprint from los angeles is starting with a best of series called warehouse series and it is what it is: techno - dark, dusty, loud and hard.

red axes s massive waiting for a surprise gets new remixes from heavy hitters audion, moscoman, manfredas and multi culti label-man thomas von party. the jewel in the crown of israels underground music scene, red axes have produced a steady stream of hits on labels like permanent vacation, i m a cliché, crosstown rebels, and the freaky all-inclusive multi culti where they dropped what became, somewhat surprisingly, their biggest hit to date with waiting for a surprise. the dark, stripped down disco bomb had one of the most memorable hooks of the year in singer abraos staccato chorus, a late night voodoo incantation that was always begging to be remixed

synkronized is the fourth studio album released by funk/acid jazz band jamiroquai, fronted by vocalist and key-member jay kay. originally released in 1999, synkronized is the band’s follow-up to the successful album travelling without moving movlp1731. the album includes the singles -canned heat- (#1 on the us dance charts), -supersonic- (#1 on the us dance charts and #22 on the uk singles chart), -king for a day-, -black capricorn day- and -deeper underground-.
pressing on 180 gram audiophile vinyl. the gatefold sleeve includes front and back uv spot on jamiroquai/buffalo man logo.

the inaugural release from raffaele attanasio’s letters from jerusalem represents a dark descent through various musical forms. the name of the label itself pays homage to jerusalem as a city and its metaphorical location at the center of the earth. the ep, then, is an extension of this imagery in its use of music as a descriptive source of the emotions that lie within man’s innermost recesses. credible threat, though ambitious in its breadth, is cohesive in its style and sound design: brooding, industrial, and percussive, this release is a shadowy and refreshing installment from a rising star in the underground scene.

chord memory house and wobbly-jawed electro on masked man dj après ski’s classy debut run.

over half a year has passed since loz s last outing on brooklyn s razor n tape but he s back on a solo tip with this 4 tracker of slightly deeper and more synth-driven cuts than we ve been used to this year from the man. slap dancer sets the tone with punchy drum & sample hits, easily the most club oriented of the bunch. duplicity sees loz back on that slightly funkier sound we have come to know of recent times, but with a little added dustiness. flavour adds a little extra sprinkling of dust with it s rolling drums and chords - proper chillin basement tackle. be sure to check that b2 cut sunset vista for that slow, machine driven & synthed out acid jam as well.

donny benet. you know the name by now. man of the people. wielder of synths. virtuosic in style, both aural and visual. sydneys undisputed master of conduction through seduction. the man has an almost otherworldly control over his music and his crowd. one slap of the bass and the world melts at his feet. one outrageous synth solo after the other and the competition falls around him. donny benét makes you sweat. donny benét brings the heat. we are unbelievably honoured to have donny benet make his plastic world debut with working out, a pulsating ode to the things in life that get you perspiring

coyote s release their 4th album song dogs. 7 tracks of percussive elecronic mediterranea. opening side 1 is jamon y quesa and chuggy bass driven soundtrack to an early afternoon drive through dusty scrubland to the beach. track 2 natural way is a mellow meditation on becoming a clear thinking wise man. track 3 falling leaves conjurs up lazy moments taking the time to appreciate the beauty the simple things around us. side 2 close with the haunting and soothing herbal remedy side 2 opens with tanits groove a beautiful balearic homage to the godess tanit the warrior goddess of dance, fertility, creation and destruction. the protector goddess of ibiza. featuring the guitar of long time coyote collaborator saro tribastone. track 2 no time to play is a powerful uplifting elecronic groove to welcome a sunrise, i feel the vibration finally the album closes with cala conta sunset. an ambient memory of a brief monent in time on the cliffs of cala conta watching then sun set into the mediterranean sea.

nice price deal !!! meet thorsteinssøn. the iceland-born-denmark-bred gunnar thor viggosson better known as one half of 76-79 with tommy vicari jnr and bossman at comfortable records and vanity. right now, though, were calling him the man behind the first pets artist album this year… deliciously cosmic and cheerily schizophrenic, academy of heroes is inspired by a brilliant creative project thorsteinsson practiced during his years living in amsterdam: solar industry radio.

harvey sutherland’s latest 12” marks the inaugural release for clarity recordings, an imprint established by sutherland for modern australian records. the first new music from the melbourne producer since last year’s cuts for mcde, the double a-side priestess / bravado features his live trio bermuda at full tilt, with an ensemble of hand clapping friends. self-described “lounge room disco burners”, the record summons the groove experiments of patrick adams, bill laswell and arthur russell, while retaining harvey’s soulful tones and club-ready arrangements. priestess evolves slowly, a nine-minute mind dance that ultimately reaches a celestial state. sutherland’s piano lines bounce off drummer graeme pogson’s unwavering four-on-the-floor, while one-man string section tamil rogeon travels skyward. live standout bravado is played with determined precision, locking into a tough backbeat that only breaks once sutherland’s warbling lead solo approaches its resonant peak.

keith carnal is back with the 2nd release of our catalog, the 1st made a massive impact in the techno/electronic playground. played in every different platform this artist showed us how electronic music can reach many different levels and people. keeping a simple and unique style that many try to imitate, but nobody reach his level. 3 cuts w/ our man shlomo did the rest of the job, doing a very deep and intelligent remix.

apodiktische gewissheit ist der titel eines audiovisuellen kooperationsprojektes zwischen dem in berlin lebenden künstler gerhard mantz und wolfgang voigt. das projekt basiert auf einer digitalen videoarbeit von gerhard mantz. konstant fliessende geometrische formen und motive bewegen sich in gleichmässigem fluss um einen festen mittelpunkt auf den betrachter zu. ein hypnotischer sog-effekt von verführerischer schönheit entsteht, dem man sich nicht entziehen kann oder will. wolfgang voigt hat die digitale Ästhetik und den maschinellen flow der bilder aufgegriffen und ihnen eine musikalische entsprechung gegeben. das ergebnis ist eine gelungene verschmelzung von bildern und musik, die mit minimaler bewegung maximale intensität erzeugt. ein gefühl der gleichzeitigkeit von loophafter kontinuität und stetem schub nach vorn, von immer gleich und immer anders, von anfangs- und endlosigkeit entsteht. die vorliegende vinyl veröffentlichung ist teil der audiovisuellen kunstinstallation apodiktische gewissheit, die in zusammenarbeit mit der kölner kunstgalerie hammelehle und ahrens in der gertruden kirche in köln am freitag, den 04.11.2016 eröffnet wird.

Æ is the third part of bjarki triptych of lps to be released this year. Æ is a particularly icelandic form, pronounced “i” in english, bjarki thinks it just looks good. here it is a selection of music that is at its core quite simple, with restrained instrumentation, made on hardware and features a selection of older works and the most recent produced just weeks ago. bjarki is from iceland. born and raised. despite the fact that bjarki is known for making extremely powerful dance floor tracks he doesn’t seem to belong to any particular genre. something this triptych of lps demonstrates very well. his music is at times cinematic and there’s a story behind each track. bjarki’s music always has something to do with him personally, but he’d rather the listener lose themselves in the music than pay much attention to the man behind them. either on a record or to one of his ever evolving live sets.

time travel ist das debütalbum des würzburger djs und produzenten pappenheimer. als newcomer kann man ihn jedoch nicht mehr betrachten. in der deutschen technoszene ist pappenheimer schon seit mehr als 15 jahren aktiv und hat sich in den letzten jahren eine beträchtliche fanbase erspielt. so kann man den -time travel- als einen querschnitt der letzten 15 jahre verstehen.

betty harris’ the lost queen of new orleans soul features all of her classic deep soul, sister funk and northern soul songs recorded in new orleans in the 1960s - all written, produced and arranged by the legendary allen toussaint, and featuring the cream of new orleans musicians and the incredible meters. the heavyweight 180 gram double vinyl lp comes in a gatefold sleeve with.

2016 beweisen status quo erneut, dass sie auch leise können. »aquostic ii – that’s a fact!« ist die großartige fortsetzung ihrer erfolgreichen akustikreihe. das doppel-vinyl erscheint im klappcover, downloadcode inklusive.

marcel vogel is back with this 8tracker including remixes by label mates reginald omas mamode iv and dear earth. lowslung grooves for an evening in front of the fireplace with your lady (or man), this ep was created in an collaborative effort by berlin singer khadija, keyboardist tim jules, guitarist jair wix and written and produced by marcel vogel. outstanding tracks are the sleazy moonchild and the title track human being.

move ds remix has been probably this years most played last tracks at festivals when the floors were closing.

vaghe is a man of few words. he wanders, seemingly endlessly, through a lonely, gargantuan labyrinth of concrete and steel, fighting off ghosts and other futuristic nightmares, searching only for something called the full stream ahead. who is this quiet, determined man and what are these ghosts he seeks? the small communities he finds tucked into the crevices of this towering, dystopic ruin hardly give him leads on his treasure, driving him to find larger enclaves of civilization where people can reveal more about the world he lives in and the quarry he seeks. if vaghe is going to find the treasure he seeks, he will need more help and information than the inhabitants of these beleaguered outposts can offer. he needs to find a larger cluster of civilization, but he’ll have to survive the trip to get there, first… following his 2014 ‘sweet sixteen’, and his 2015 ‘abstract speed + sound’ other people is pleased to announce the full stream ahead: the prologue by turin’s daniele mana aka vaghe stelle. previously associated with italian label gang of ducks and a current member of production group one circle with fellow nationals lorenzo senni and a:ra, daniele’s roots in the emerging italian production scene run deep and place him at its center.

die a-seite -annapurna-, titel-track der ep, ist das perfekte werkzeug, um zur peaktime den club in einen rave zu verwandeln. kick, ein durchdringender arpeggio, pads und ein paar effekte - wieder einmal ein beweis, dass manchmal weniger mehr ist. mit der b-seite -semikolon- zeigt sich jeremy liar von einer deeperen seite. verträumte pads, begleitet von getunten 808 cowbells und unterstützt von einer gewaltigen bassline, entsteht der vibe den man bereits von seinem remix für christoph vogel kennt. semikolon ist als gegenstück zur a-seite eine deepere produktion, die besondere momente auf open airs als auch im club garantiert. abgerundet wird die ep mit remixes von avidus, die gemeinsam mit christoph vogel eine deepere version der a-seite liefern, sowie von zk bucket, dem gründer und betreiber von zaun recordings, der aus semikolon einen echten floorkiller macht.

originally released in 2002, here reissued as a remastered version tony allen talks about the album: after black voices and psyco on da bus albums, i came back with homecooking which was an album filled with guests. i brought in ty, who had remixed some of my work previously, to rap on the record, and damon albarn, who had already sung about me on music is my radar. since the early days ive been trying to find things that everybody will want to listen to. ive always been pushing afrobeat in different directions. heres another one again, another style, almost clean but still rough, raggedy and radical.

a pivotal moment in 20th century politics, history and culture the november 22nd 1963 assassination of president john f. kennedy (in dallas, texas) produced a mountainous range of forgotten, discarded and ghostly vinyl artifacts. country songs, private-press lamentations, mournful poetry and violent political diatribes were rushed onto rough-hewn 45s and marginal lps that vied to be heard above the noise and confusion.